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*MELODRAMA: UNDER THE GAS LIGHT RARE 1880 BROADSIDE AUGUSTIN DALY*

$ 42.23

Availability: 67 in stock
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    Description

    A rare original broadside circa 1880 for Augustin Daly's famous melodrama Under the Gas Light. Dimensions eleven and three quarters by four and a half inches. Light wear, a few archival repairs and partial separation at fold otherwise good. See the story of the play below.
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    From Wikipedia:
    Under the Gaslight
    is an 1867 play by
    Augustin Daly
    . It was his first successful play, and is a primary example of a melodrama, best known for its suspense scene where a person is tied to railroad tracks as a train approaches, only to be saved from death at the last possible moment.
    The show had an successful initial run at the
    Worrell Sisters'
    New York Theatre
    in New York, starting on August 12, 1867, and running through October 1, a total of 47 performances.
    Rose Eytinge
    starred at Laura Courtland.
    [3]
    It returned for an additional two-month run in December 1867, with the
    Worrell Sisters
    playing the lead three female roles.
    The play is an example of Daly's mixture of realism and melodrama, with authenticity of his depiction of real locations in New York in the play, and in his use of social commentary.
    [4]
    Though the play introduced the now-clichéd device of the villain tying someone to railroad tracks, it was also a reversal of the usual roles because the hero was tied up, and the heroine saves him.
    [5]
    In the book
    Vagrant Memories,
    critic
    William Winter
    recalls how Daly came up with the device: "He was walking home toward night, thinking intently about the play which he had begun to write, when suddenly the crowning expedient occurred to him and at the same instant he stumbled over a misplaced flagstone, striking his right foot against the edge of the stone and sustaining a severe hurt. "I was near my door," he said, "and I rushed into the house, threw myself into a chair, grasping my injured foot with both hands, for the pain was great, and exclaiming, over and over again, 'I've got it! I've got it! And it beats hot-irons all to pieces!" I wasn't even thinking of the hurt. I had the thought of having my hero tied on a railroad track and rescued by his sweetheart, just in the nick of time, before the swift passage of an express train across a dark stage.
    [6]
    Some have argued that Daly borrowed the train device from the English play
    The Engineer
    , which also put a train on the stage though the circumstances of the storyline were not identical.
    [1]
    Daly was able to successfully get an injunction against
    Dion Boucicault
    over his 1868 play
    After Dark
    , which also had a train scene, a case that became an important decision in copyright law.
    [7]
    [8]
    Original cast (New York, August 12, 1867)
    Ray Trafford by A.H. (Dolly) Davenport
    Snorkey by John K. Mortimer
    Byke by John B. Studley
    Ed. Demilt by Mr. Newton
    Windel by Mr. Reed
    Justice Bowling by Welsh Edwards
    Counsellor Splinter by Jason Dunn
    Bermudas by C.T. Parsloe
    Peanuts by Master Shea
    Lillywhite by Master Shay
    Sam by Mr. Williams
    Rafferdi by Mr. Sullivan
    The Sergeant of the River Patrol by Mr. Hurley
    Policeman 999 by Mr. Sampson
    Martin by Mr. Fielding
    Peter Rich by Master Willie
    The Signal Man at Shrewsbury Road by Mr. H. Ryner
    Laura Courtland by
    Rose Eytinge
    Pearl Courtland by Blanche Grey
    Peachblossom by Mrs. Skerrett
    Old Judas by Mrs. Wright
    Mrs. Van Dam by Miss Lizzie Davey
    Sue Earlie by Miss Mason
    Lizzie Liston by Miss Macy
    [9]
    Adaptations and legacy
    The play was adapted to a silent film
    of the same name
    in 1914.
    A 1929 revival on Broadway at
    Fay's Bowery Theatre
    was not successful, only running for three weeks.
    [2]
    [10]
    Unlike the vast majority of 19th century American plays,
    Under the Gaslight
    has continued to be revived to the modern day.
    [2]
    Notable revivals include ones in 1993 at the
    Soho Repertory Theatre
    in New York,
    [11]
    1995 at the
    Laguna Playhouse
    in southern California
    [12]
    and the
    Metropolitan Playhouse
    in New York in 2009, among others.